In the Arabesque Collection, I explore traditional geometric patterns commonly found in Islamic architecture. Each piece brings together two overlapping structures. A new form emerges from their intersection; one generated through relationship rather than addition. Light plays an essential role in this process. Arabesque screens and carved geometries interact with light, casting shifting shadows across space and bodies. Between solid form and transient projection, a subtle reminder emerges: beauty is often ephemeral, moulded by movement and transformation.